SENTICS 2.0: the touch of
Force & Motion Festival; Comfort Station, Chicago; Aug 2022

documentation by Ruby Que
SENTICS 2.0 is a process and a processing, an event for re/collection, de/encryption, and re/incorporation of the complex emotional scripts and memories from our digital experience. The event is facilitated by chris wood’s performance avatar, matte_screen, who demonstrates how to engage and embody the potential of our avatar’s emotions. Memories typed and submitted by the audience are live-encrypted, visualized, and projected into a virtual memorial space, and somatic engagement with elastic bands throughout the space affects the sound felt in the room and the gravity felt in the body. Comfort Station's interior becomes an imaginary AFK social media instance - generating space for digital-self-cultivation, through queer blurring of the ‘virtual’ and the ‘actual’, practiced attunement to communal processing, and a generous embrace of the integrity of the avatar.
Deepest gratitude to Courtney Mackedanz for their support in the research, development, and installation of the ongoing project of SENTICS.




matte_screen: genesis
pdf and recording; Oct 2017
performance: Martial Arts, Oakland; Nov 2017
performance: Flood House, Chicago; Jan 2018

Martial Arts 2017, pictured:
Stephanie Hewett, matte_screen, Tiff Tonel
matte_screen: faith and a sense of truth
pdf and recording; Feb 2018

Other Sensations
w/ mocrep
Chicago International Puppet Theater Festival
Neo-Futurarium, Chicago; January 2019

pictured (L-R): Andrew Tham, Chris Wood,
Deidre Huckabay, Lia Kohl, Alex Ellsworth
Other Sensations was created as a companion piece to Mickel Maher’s Tedium (Theater Oobleck) and premiered at the 2019 Chicago International Puppet Theater Festival. An exploration of both boredom and transcendence, Other Sensations mixes video, sound, choreography and animated objects to create a world which questions the reality of choice and the idea of freedom.
created, directed, and performed by Mocrep members:
Alex Ellsworth, Deidre Huckabay, Lia Kohl, Zach Moore, Andrew Tham and Chris Wood
press:
“An eerie look at the myth of the American dream” - Maggie Ward, SCAPI Magazine: Puppets, Capitalism, and Déjà Vu: A Profile of Tedium and Other Sensations
“an overall bizarre piece which I have come to love” - Kenjiro Lee, Chicago Maroon: In Chicago, Puppets Take Center Stage


Greater Minds Society
Pro Arts Gallery, Oakland; April 2018
created in collaboration with / performance by mocrep,
Greater Minds Society is a theater piece in 4 acts.
The storyline of a dystopian live-work society offering to rid affect/ emotional memory from their initiates is reinforced by experiments in collaboratively-devised movement, physical sonic situation, custom body circuits/systems, and theatrical confrontation ... in effect creating a framework through fiction to confront the trying process of living and creating in screen-based community.
THISISNOTMY/SELF
Signal Flow Festival; Mills College, Oakland; March 2017

created by chris wood, performed by and in collaboration with anastasia clarke, kim nucci, simon/a otryba, kevin schwenkler
performance (~20'); 5 performers, machine learning computer, 6ch audio, 1ch video projection





Virtual Suite No. 1 in C Major
_.world (group show); Slide Space 123, Oakland; May 2017
past collaborations
2022
THE HEALTH
performance by
Sam Scranton
in collaboration withMocrep
@ The Museum of Surgical Science, Chicago
Co-devising and developing materials for performance - Max/MSP, Adobe Creative Cloud, Choreography, Analog+digital synthesisClarinet Sustain Pedal
audio processing pedal for
Zachary Good
Design/build custom spectral processing pedal - Pure Data, Raspberry Pi, Arduino, Physical build
Seed
EP by
Lililo
Mixing and additional production of album by Emma Ladji.
Rebecoming the Animal
dance film by
Courtney Mackedanz
in response toHannah Levy
’s Surplus Tension exhibition@ The Arts Club of Chicago
Sound design and editing - Ableton Live, Max/MSP, field recording, digital+analog synthesisfor spacious skies
exhibition of work by
Kyle Bellucci Johanson
@ Chicago Artists Coalition
Design, build, performance, and installation of custom digital player-piano and MIDI-controlled audio+video playback instrument, capture and installation of fixed media - Max/MSP, Adobe Creative Suite, digital projection2021
CHAFE THE SWALLOW BACK
performance by
Courtney Mackedanz
@ High Concept Labs, Chicago
Designed/built Machine Vision Surveillance Simulator for choreographic development and performance visuals - Max/MSP2020
Itchy IOU’s
film by
Liang Luscombe
Compositions and live sound effects performed/recorded during filming; post-production sound design - Ableton Live, Max4Live, various field recordings, digital instruments and effects
I WANT TO KNOW
book by
Mocrep
in collaboration withsonnenzimmer
@ Spiderf*rt Press
Co-authored a book2019
Sex
performance and exhibition of work by
Anne Imhof
@ The Art Institute of Chicago
Sound Engineer for performance, AV installation, lighting design, scene adjustments, collaborative design/mixing for sound installation - QLab, Mac Mini, A&H Qu24 mixerI Like My Friends
album by
Mocrep
@ Parlour Tapes+
Co-wrote, produced, mixed album - Ableton Live, various analog and digital instruments and effectspre-2019
SPACE TO BREATHE
exhibition of work by
Sofie Ramos
@ Fort Mason Center for the Arts, San Francisco CA ; July-December 2018
Sound design and installation of 5ch audio in artist’s sculptural installation, curated and produced performances interacting with the artist’s installation - 5ch audio playback, 3ch relay (lamp, TV, fan), Behringer XR16 mixerNATACHRI
performance in collaboration with
Natacha Diels
@ CCRMA, Stanford CA ; May 2017
@ Pro Arts Gallery, Oakland CA ; May 2017
Collaboratively devised performance work, Max/MSP/openGL
disco crystall
[di-sko kri-staal]
disco/boogie/house vinyl dj
you're invited to: LIQUID CRYSTAL DISCO PARTY @ sleeping village, chicago monthly vinyl-DJ dance party thrown by Disco Crystall
posters designed by `Unyimeabasi Udoh ^Leah Wendzinski *myself09.30.22 - Sorrbet, Nunya 08.2022 - Ali Najdi, Katherine Hepburn 07.2022 - Raven Wright 04.2022 - DJ Zzzosma 02.2022 - DJ Tess








selected past parties and one-off-sets: Feets Don’t Fail @ sleeping village, chicago ; 12.2018-8.2019 monthly vinyl-DJ dance party thrown by Title TK (DJ crew including Disco Crystall) 07.2019 - Resavoir (album release) 06.2019 - Kuh Lida 03.2019 - Haiku Hands 02.2019 - Kyle Hall and Jay Daniel 01.2019 - Sasha No Disco Vans Channel 66 @ vans.com; 03-08.2020 monthly 2-hr streamed set with Title TK Disco Crystall @ the wistler, chicago ; 09.2019-01.2020 monthly resident set with special guests Pitchfork Music Festival Aftershow @ sleeping village, chicago - 07.2019 w/ Khruangbin (DJ Set), Title TK Pitchfork Music Festival After-Aftershow @ smartbar, chicago - 07.2019 w/ Title TK, Sasha No Disco SXSW2019 Ad Hoc Showcase @ cheer up charlies - 03.2019 w/ Title TK SXSW2019 Mohawk Outdoor Showcase @ mohawk, austin ; 03.2019 w/ Title TK

chris wood is a multimedia artist and technician based in Chicago. they make performances and installations exploring the physical/emotional properties of sound and signifiers as media for communal processing. they create social experiments and performative events, bringing to-question our screen-based reality in an effort to embrace, embody, and attune emotional complexities with ourselves and each other.
also a collaborative engineer, they design+build+integrate+perform interactive new media systems for performance and installation, as well as create+edit sound+video for fixed media productions.
they hold an MFA from Mills College CCM, and are also:
- the head of AV in Exhibitions at The Art Institute of Chicago
- a DJ under the moniker of Disco Crystall
- a member of the anti-disciplinary artist collective Mocrep
social structure 1:
my computer and you
Haas Gymnasium, Oakland; Dec 2016
6 hour performance-installation for performer, 4-channel audio, video, computer, conductive strips
Social Structure 1 explores how human sociality changes in two contrasting situations: computer-based introversion and direct physical connection. The performer stands alone with eyes closed, connected to their computer through an ungrounded copper strip for 6 hours. Their ungrounded bodily signal is amplified, connects with their computer, and signals an audiovisual atmosphere in the space - composed from recordings of their personal computer activities. In front of the performer is another copper strip, connected to ground the performer's signal. A Sign asks "connect with me?" asking that any spectator stands on the strip and holds the hands of the performer - thus shorting the performer's signal / computer life, provoking audial/visual silence, and creating a directly focused social interaction.